“Oh, there’s no doubt of it! Since the girls of the eighties broke bounds and sailed away on bicycles—my young days go back to the very beginnings of that —it’s been one triumphant relaxation. The easel and palette having been packed up, and the canvass carefully removed by Austin, the party took leave of the prisoner, who was so much abstracted that he scarcely noticed their departure. Her secret thoughts made some hasty, half-hearted excursions into the possibility of telling the thing in romantic tones—Ramage was as a black villain, she as a white, fantastically white, maiden. We all have to kow-tow to that. Surely it was a dream.
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