All this— the island and its affairs—was an old story; but her own peculiar distaste had vanished to a point imperceptible, for she was seeing the island through her husband's eyes, as in the future she would see all things. The rest were hieroglyphic characters, executed in red chalk and charcoal. She found herself struggling with a storm of tears. He looked down and met them. Most subjects of any depth were taboo between them, especially when they were in his convertible. She turned to the stage, and Tristan was wounded in Kurvenal’s arms, with Isolde at his feet, and King Mark, the incarnation of masculine force and obligation, the masculine creditor of love and beauty, stood over him, and the second climax was ending in wreaths and reek of melodies; and then the curtain was coming down in a series of short rushes, the music had ended, and the people were stirring and breaking out into applause, and the lights of the auditorium were resuming. Like the flaws of an old marble.
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