Why would Shari tell Michelle or anyone outside the family a name? Why would Michelle ask? In 1965, Sheila McCloskey loved to watch two subjects in particular with binoculars: birds and neighbors. Gosse had moved forward, his pistol arm out straight, his aim true, the gun cocked. Take the one that struck him at this moment. Art was everywhere, underfoot in the form of mosaics, overhead in the form of architecture. “I know,” she said quietly, “that Paris, where she has been so much admired, is not a good place for her. Women and men had always flocked to him, covetous of his knowledge, his riches, and if all else failed, his carnal expertise.
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