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"This," replied Jonathan, taking a paper from a portfolio, and handing it to the knight, "this written evidence, signed by Martha Cooper, the gipsy, by whom the girl was stolen, and who was afterwards executed for a similar crime. She wore a plain black dress, reaching almost to her throat—her small oval face, with the large brown eyes, was colourless, delicately expressive, yet with something mysterious in its Sphinx-like immobility. ‘I don’t want that girl running her head into any more danger. Just as Hogarth got to the door, the turnkey stopped him. Advancing towards him, he made him a formal salutation, which was coldly returned.

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