Not afraid of me, either. ’ Gosse’s eyes went to the portrait, and evidently took in the uncanny resemblance, looking from it to Melusine and back again. Bulging out more in the middle than at the two extremities, it resembled an enormous cask set on its end, —a sort of Heidelberg tun on a large scale,—and this resemblance was increased by the small circular aperture—it hardly deserved to be called a door—pierced, like the bung-hole of a barrell, through the side of the structure, at some distance from the ground, and approached by a flight of wooden steps. The dance itself was anticlimactic, with teenagers trying their best to look the part of adult sophisticates on the dance floor. “You need have no further trouble. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement.
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